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The Garden

by swingbridge

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  • Compact Disc (CD) + Digital Album

    Comes in a beautiful gatefold cardboard cover with artwork by Dave Kingan. Printed lyrics included.

    Includes unlimited streaming of The Garden via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      $20 NZD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

      $10 NZD  or more

     

1.
day to day 03:57
Day to Day No apologising for what did you do this week Pick the house up off the floor and surrender to the sweep All your deeds will be undone and need to be done again take the bus to Palmerston you’ll find it’s much the same this day to day to day to day…. Wet clothes under washing line pots banking up the sink kid’s are wrestling on the couch teetering the brink When it swells to overwhelm it feels we’ll endlessly be gasping for the grace to patiently negotiate the day to day to day….. See the concrete mixers how they keep them hosed down clean The lights will shine as brightly even when the ships not in it’s day to day to day…. Wet clothes under washing lines pots banking up the sinks. Kids are wrestling on the couches teetering the brinks When it swells to overwhelm remember you and me are welcome to the grace to patiently negotiate the day to day to day….
2.
room of love 03:33
Room of love you’re contagious pass it on pass it on It’s welling up we can’t contain this pass it on pass it Flowing out of the doorway and into the hall it is love like this that can pass through walls Room of love room of love Room of love room of love Now it’s filled up the building and it will not be blocked pass it on pass it on And it’s bound to get on when the next bus stops pass it on pass it Heading in to the city in a slow stream of cars Heading into the night to light up the stars Room of love room of love Room of love room of love
3.
shoes 03:30
Go home stay home be there for the kids sacrifice devotion I'm stretching for that give And then I go to go out feels my wings are clipped you know it hurts when you begrudge me this But I don't walk in your shoes and you don't walk in mine Once upon a time you blew the chafe from the wheat now I watch your face shut down when I start to speak When I speak my stilted words fall to the ground and it hurts that you don't try to understand But i don't walk in your shoes and you don't walk in mine There's a distance about a river wide flowing exhaustion frustration pride Gestures of care can lift us back on the same side Can I grow up enough to step outside my life That I might walk in your shoes and you might walk in mine Come on shoes start walking That I might walk in your shoes that I might walk in your shoes that I might walk in your shoes and you might walk in mine
4.
One part wild, one part deep one part senses and one part feels But I live in a box inside my head with the part that talks over all the rest Ahoooooo I want to howl up to the moon Ahoooooo I want to howl up to the moon Like a little moth caught in a web all this struggling hasn't gotten anywhere So what is surrender and how would it feel to really trust I'm here where i need to be Ahooooo I want to howl up to the moon Ahooooo I want to howl up to the moon Climbed the hill in the dark the stars were glowing bright as sparks Felt for footholds on hands and knees then the moon rose up illuminating me Ahooooo I want to howl up to the moon Ahooooo I want to howl up to the moon Moon, moon, ahooooooooooo
5.
hurtling 04:04
In response to the 4th Report May 2007 for the Intergovernmental Panel on Climate Change U.S. Chief Climate Negotiator Harlan Watson said It is important not to jeopardise economic growth Hasn't he heard.... that we are hurtling Hottest day hottest month hottest year hottest day hottest month hottest year there's a back fence joke bing called across the land Another drought another flood and freak tornadoes fires are rising higher - they're laughing soon we'll be tossing away all our winter clothes Haven't they heard... that we are hurtling Squinting blindly into the glaring future hands deep in pockets fiddling with the small change sucked into this suicidal system while precious time to act pours down the drain Haven't we heard...that we are hurtling
6.
What am i writing to you for you've never heard of me before I write with matters of the gravest concern to you up in your highrise in the boardrooms of the city skies I know we live in different worlds but it's the same world We've got to keep it in the ground Now the survey ships have gone and left a question weighing heavy down out on the seas of our horison Well what if by mistake the lines are breached all hell escapes dousing all in the oil that should never have been burnt We've got to keep it in the ground Commodities fall and rise they'll burn dollar signs in your eyes pleading to sell the land sell the seas sell the skies And I presume your a clever man so what I cannot understand is how you imagine our future We've got to keep it in the ground
7.
Full of kind advice in an empty bar how we just think we are all that we think we are Dressed in human skin with a whole world within we're truly justified to lead a searching life She slides down chutes to dark empty places and climbs back up through floors of staircases She slides down chutes to dark empty places and climbs back up Are you filled with air and are you filled with steam are you filled with gold and are you filled with green Are you filled with love and are you filled with shame Are you filled with joy and are you filled with blame She slides down chutes to dark empty places and climbs back up through floors of staircases... Such an adult pride to seem so smooth inside a much more beautiful thing this tender heart we bring She slides down chutes to dark empty places and climbs back up through floors of staircases..... But you can fly back up - why don't you fly back
8.
Something Missing The people in this car travelling fast, so far to go The worlds that we pass taken at a glance no time to slow Sitting here with glasses half empty we don’t know the way back home yet Sitting here with glasses half empty we don’t know we want to know the way Day is getting dark, and restless in the car we pull into a motel complex Where later at the bar, we’re shouting at ourselves above the videos Sitting here with glasses half empty we don’t know the way back home yet Sitting here with glasses half empty we don’t know we want to know the way back home We’ve everything we need to wear to eat and there’s so much to do But everywhere we go in what we’re shown there’s always something missing Something missing, something missing something missing…
9.
Plastic Coated People Plastic coated people in the TV Plastic coated people drive in new cars Plastic coated people they’re in the streets Plastic coated people And it’s not even raining it’s not even raining Well if it was raining I would want my skin to get wet Plastic coated people in the brochures Plastic coated people fill shopping carts Plastic coated people look what we eat Plastic coated people And its not even raining…. First we stop sweating then we stop crying then we stop bleeding then we stop breathing then we stop being And it’s not even raining… Get wet get wet get wet to let get wet to let get wet to let that get wet to let that get wet
10.
the garden 04:56
See the paths shrouded in grasses there was once a garden here Birds and flowers insects and laughter once a garden Baked the sun and everything cracked and shrunken hard as rock No one there to care for me cracked and shrunken You fell on me like gentle rain, and softened me to feel again As hard as rock I'd given up on melting to your touch I feel the rain settling I feel the rain sinking in sinking in sinking in Look the earth is crumbling the crust has melted all away teeming life returns to me it never even left You fell on me like gentle rain, and softened me to feel again As hard as rock I'd given up on melting to your touch...

credits

released February 19, 2021

Credits
All songs and lyrics written by Bridget Ellis
Produced by Bridget Ellis and Jordan Stone
Mixed and mastered by Jordan Stone

Roundhead Studio - Engineer Jordan Stone
Chris O’Connor - drums/percussion all tracks (except 9)
Eamon Edmundson-Wells - double/electric bass all tracks (except 9)
Bridget Ellis - lead vocal (track 7) electric guitar (track 5,7)
Steve Abel vocal (track 6)

Stone Cottage, Papakaio - Engineer Jordan Stone
Bridget Ellis - lead vocals (tracks 2,3,4,5,6,8,10)
acoustic guitar (tracks 2,3,4,6,10) accordion (track 3)
Lynley Caldwell – vocals (track 1,2,4,5,9,10)
harp (track 5,10)

Sublime Studio - Engineer Tom Havard
Steve Harrop - production advisor, double bass (track 9)
vocal (track 5)
Bridget Ellis - lead vocal (track 1,9) electric guitars (track 1,8)
acoustic guitar (track 9)
Lynley Caldwell - vocal (track 9)

Album cover art ‘Kakariki’ by Dave Kingan
Album photos, design and layout - Chris Meech



Swingbridge Album Release - Early Settlers Hall, Oamaru
Review by Eddie Robinson (Ooh)
It was February 19th, 2021. A Friday night. Something was taking place.
It was an album release. There was live, original music from a local act in a local venue.
It was not a blue moon; it was Swingbridge’s album ‘The Garden’ played in its entirety at the Early Settlers Hall in Oamaru. Swingbridge is Bridget Ellis’ project, her way of letting the music have the spotlight. Years of patience had paid off and the triumph was that after a year like 2020, and with all the important messages throughout the songs needing a serious platform, Bridget still made it look fun.


Bridget has chosen well those she has taken along for the ride. There is no better voice to complement her own on the album than Lynley Caldwell’s. There is no better bass-playing and singing showman than Steve Harrop to have joined her on stage. There is no better combination of art and music than to have Dave Kingan’s work as the cover art. Bridget may say that it was a group effort but the downplayed centre of this work is the songwriting.


During the set and especially at the end, Bridget calls for audience participation. It is welcomed in an audience of her peers, but what she doesn’t realise is the complexity of her phrases and precise delivery, along with a unique tone, makes for a difficult song to join in on no matter how catchy, accessible and well-developed each song is. It really is the sign of a crafted voice and body of work that experienced singers would want nothing more to sing along, but find they have to settle for shutting up and listening for the best result.

It is something to celebrate that in the age of YouTube and Spotify that Bridget has been successful in delivering an album at all - every song existing on its own merits without extrinsic motivation - but that the perspectives shared are so meaningful, so sincere and born of the personality and experience of the songwriter is something else altogether. It is inspiring to not only hear her tunes turn up in your mental playlist days after listening to them, but to see it live and get the full picture: the tunes and riffs are complex; the songs are varied and alive; and the album an ecosystem of feeling and meaning. What better name to give it than ‘The Garden'.

We can only hope that the audience for original music creation and performance will grow with acts like this on offer.

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swingbridge OTA, New Zealand

Swingbridge is the musical vehicle of southern NZ songsmith Bridget Ellis and friends.
Ellis has shared her music in clubs, pubs and concert halls, at festivals, schools, and libraries, in hospice and prison, from busking the Berlin underground to playing the Beehive. Underpinning her work is the impetus and hope for earth-centred social change. ... more

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